I gave my first Kodak Retina IIa away as I tried to thin my herd of cameras to just those I’d use a lot. I liked my IIa fine. But at the time I thought I liked my Retina IIc a little better, and that’s the Retina I kept.
Later, some remorse crept in. Then a reader offered to send me a Retina IIa he’d come upon but did not need. Oooh yeah baby. Here it is.
My first Retina IIa was an early one, because it had a Compur Rapid shutter. Those were made only in the first three months of this camera’s run, starting in 1951. This one has the more common Synchro Compur shutter of later IIas. Kodak stopped making the Retina IIa in 1954. The serial number on this one identifies it as from late in the run, April, 1954. Even though its focusing scale is in feet, the serial number doesn’t identify it as a US export camera. It was probably sold in a military PX overseas.
This one got some heavy use. Some of the exposed metal on the body is a little chewed up. The winder feels like grinding sand, and at the end of the throw you have to push it a little extra to fully wind and cock the shutter. The focusing ring is stiff, and there’s a spot where it catches and you have to push a little harder to get it through. The rangefinder patch is dim. A good CLA should restore it to full functioning, but some of the cosmetic damage is probably permanent.
This IIa comes with the 50mm f/2 Schneider-Kreuznach Retina-Xenon lens. I hear you could get a IIa with a 50mm f/2 Rodenstock Retina-Heligon lens, but I’ve never seen one. The lens stops down to f/16. The Synchro-Compur shutter operates from 1 to 1/500 second. I do like shutters with 1/500 because then I can shoot ISO 400 films in them more easily.
The raised button on the bottom plate opens the camera. To close it, first focus the lens to infinity — the camera won’t close unless you do this. Then press in the chrome and black buttons on the top and bottom of the lens board, and push the cover closed.
When you load film, twist the knurled ring atop the winding lever to set the film counter to the number of exposures on your roll. If you forget, and the counter reaches zero before you’ve finished the roll, the shutter won’t fire. If that happens to you, just twist the ring to a nonzero number and keep going.
If you like Kodak Retinas, by the way, I’ve reviewed a bunch of ’em: the Retina Ia (here), the Retinette IA (here), the Retina IIc (here), the Retinette II (here), the Retina Automatic III (here), and the Retina Reflex IV (here). Or check out all of my camera reviews here.
I was delighted to get this camera. But when I pushed a roll of Fujicolor 200 through it, I didn’t fall in love. I know what a joy a well-functioning Retina is to use, and this IIa’s balky winder and sticky focusing ring held the joy at bay.
I took this Retina IIa to Carmel, a northern suburb of Indianapolis, on a day off from work two weeks before the coronavirus confined us all to our homes. Statues like these are all over Carmel’s downtown — and they’re just weird. This is the least weird one. It made my favorite photo on the roll.
Later, the images came back from the processor — and each one was thick with fog and haze. I hung my head. I know that when I get an old fixed-lens camera of unknown provenance, I need to inspect the lens before putting film into it. Half the time the lens is dirty. A quick swab with isopropyl alcohol clears everything up and I avoid hazy photos. I know this. I KNOW THIS. Yet I fail to do it nearly every time, and half the time I get haze.
Thankfully, Photoshop made most of the images useful. It cleaned up this photo of Bub’s perfectly. If you’re ever in Carmel, do get a cheeseburger at Bub’s. They’re mighty good. There’s a Bub’s in Zionsville, where I live, too.
Many of the photos still show some residual haze. Oh well. I’ve done the best I can with them.
I remember shooting my first Retina, a Ia, in 2008. I really stumbled and bumbled my way through those first couple of rolls. I’ve gained a lot of experience with old gear since then. It’s nice to be able to pick up a camera like this now and be able to just get to work with it. I metered with an app on my iPhone. I shot the whole roll at 1/250 or 1/500 sec. because you never know about an old shutter’s slower speeds.
I made a day out of shooting this Retina IIa (and a Pentax Spotmatic F I also had along). I had lunch at an Irish pub on Main Street and then drove over to Broad Ripple in Indianapolis for more shooting.
By this time I was used to this particular Retina’s quirks and shot it fluidly. Even a battle-weary Retina can be a pleasant enough companion.
I revisited subjects I’ve shot many times, including the Monon bridge and this periwinkle storefront. There’s something comforting about returning to familiar subjects.
I finished the roll in my neighborhood.
This was the only (partly) sunny moment any of the times I had the Retina on my hands. I love how the fence fades off into the distance.
See more from this roll — heck, see everything I’ve ever shot with any Kodak Retina IIa — in my Kodak Retina IIa gallery.
It’s been a long time since I used a Retina IIa, and I forgot the one thing about the camera I dislike: rewinding. The knob is short and hard to grasp, and the accessory shoe gets in the way as you twist it. Rewinding is a long session of short twists. You also have to press and hold the recessed button on the bottom plate the whole time. Yecch.
I’m likely to pass this Retina IIa along to a collector who will give it the tender loving care it deserves. I don’t know that I’m the man for the job.
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