I’ve built enough skill developing black-and-white film that I finally made the move from 120 to 35mm. I started with 120 because I could shoot the eight or 12 frames quickly and get to the developing tank. While I was learning I didn’t want to spend the time to shoot 24 or 36 exposures of 35mm film only to bugger up the developing.
I loaded a roll of Arista EDU 200 into my Nikon F2AS, mounted my 50mm f/2 AI Nikkor lens, and took it around with me for a couple days while I was on vacation last week. The film went onto the developing reel with great ease. I used my 290 ml tank instead of the 500 ml tank I had been using for 120 film. I calculated my ratios of developer, fixer, etc., and mixed them all up. I don’t think I’ll ever think of developing as anything other than tedious, but it went without a hitch. But the negatives were mighty thin, and when I scanned them most of them looked like this.
I’ve seen results like this only with very expired film with an unknown storage history, such as this roll of Tri-X. I wondered at first if my chemicals were to blame. I used fresh fixer. My Rodinal is less than a year old and has always been capped tightly, so it should be fine.
I used 6 ml Rodinal and 294 ml water for a 1+49 dilution. That’s 300 ml in a 290 ml tank but I chose to do it for easier calculating of the ratio. I developed for the 1+50 time as per the Massive Dev Chart, but that slight difference shouldn’t have mattered. I even researched online whether I’d used too little Rodinal and it exhausted before the film was fully developed. I found plenty of people using an amount of Rodinal similar to mine and getting fine results.
Then it hit me. The space heater.
The fridge in our garage died last summer. I kept my shoot-soon film in the fridge and the rest in the freezer. The kitchen fridge was mighty full, but I did find room in the freezer for my already frozen film. The shoot-soon film went into a plastic box and then onto the floor under my desk. Until a few years ago I always stored my film at room temperature, sometimes for years at a time. I wasn’t worried about my film.
But it’s cold at my desk in the winter. I got out my space heater in January and turned it on every time I sat at my desk until the weather warmed up the first of March. I didn’t notice it at the time, but that heater was less than two feet from my film.
I probably cooked the whole box of film. Here’s what’s in the box. In 120, three rolls of T-Max 100, a roll of Pan-F Plus 50, two rolls of Tri-X expired since 1981, and (most upsettingly) a roll of Verichrome Pan expired since 1983. In 35mm, one roll each of T-Max P3200, T-Max 400, Double-X 5222, Arista Premium 100, Lomography Red Scale, Lomography Purple, and Adox HR-50. There were also two rolls of 35mm Kodak Gold 400 and two Fujifilm single-use cameras in there, all very expired.
I feel 90% sure I’ve found the root cause. But I’ll test this theory anyway with some fresh film. I found a roll of Kosmo Foto Mono and my last roll of Ferrania P30 Alpha in the freezer, both 35mm. I’ll shoot and develop them soon and then we’ll know for sure.
But back to this roll of film. While none of the images looked as good as Arista EDU 200 normally does, many of them looked okay enough to share. Here’s my favorite shot on the roll, of a little statue in a shop window in Nashville, Indiana.
I shot more than half the roll around Nashville and, later in the day, in Bloomington. But most of those images looked terrible. I finished the roll in Zionsville later that week on a lovely sunny day. Many of those images turned out okay.
The Zionsville skies all looked post-apocalyptic, though.
The film’s qualities look pretty good on this tight shot of an old Chevy that parks every day in front of a particular Zionsville house. It’s not a look I strive for, but it’s interesting.
Overall I’m disappointed that this roll turned out this way. I was so looking forward to excellent results.
I also shot and developed a roll of Ferrania P30 that was in the ill-fated box. It turned out somewhat better. I’ll share those images soon.
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