The kind people at Analogue Wonderland sent me another roll to try, in exchange for this mention. They sell more than 200 films from around the world! That includes all of the classic films from Ilford and Kodak plus all the fun new films from small and boutique brands. And they ship just about everywhere. Get your Ilford FP4 Plus from them here.
I hadn’t used my Nikon N90s in a while so I got it out and mounted the basic but fun 28-80mm f/3.3-5.6G AF Nikkor lens. Nikon included this lens with most of its consumer SLRs in the early 2000s. I got mine when it came with a used Nikon N65 I bought. Except for some barrel distortion on the wide end, easily corrected in Photoshop, it’s a good performer.
That lens weighs just seven ounces, which is great, because the N90s is a large, heavy semi-pro body. Read my review of it here. This “gelded” lens lacks an aperture ring, limiting the camera to Program mode for exposure.
I left this kit in a drawer at work over several weeks and took it out for a photo walk whenever I could get away at lunch. As you can see in the photos above, FP4 Plus does a great job rendering clouds in the sky. But as I shot this roll, summer faded into autumn. In Indiana, that often means more cloudy than sunny days. The FP4 Plus delivered a great range of tones in all weather.
One of my pet peeves with some slower-speed black-and-white films is a tendency to blow highlights. FP4 Plus has never done that to me. It returns good detail for me even in strongly reflected sunlight.
Old School Photo Lab developed and scanned this roll and did their usual excellent work. But as I’ve been teaching myself to develop my own black-and-white film, I’m wondering how this film will look in Rodinal, my developer of choice. I’m eager to try it.
Ilford FP4 Plus is a fantastic medium-speed (ISO 125) black-and-white film. If you’ve never tried it, do, right away. You can get yours from Analogue Wonderland, in 35mm and 120, here.
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