I made one more experiment scanning negatives on my CanoScan 9000F Mk II and its bundled ScanGear software. This time I tried scanning black-and-white medium-format negatives.
I hope to start processing my own black-and-white film, especially in medium format, this year. I don’t shoot as much medium format as I’d like because processing and scanning costs about $17. That’s a buck and a half to two bucks per frame! Processing and scanning my own will manage medium format’s costs better.
I went back to 2016 to find some images I made with my Yashica TLRs, a Yashica-12 and a Yashica-D. These cameras have wonderful lenses that make the most of whatever film I put behind them. Here is a scan I made of a scene on the square in Lebanon, Indiana, on Kodak Tri-X.
Here’s a crop of my scan at 100%. I scanned at 2400 dpi, by the way, and applied unsharp masking and other tweaks in Photoshop until the image was to my liking. That’s some pretty good detail right there.
Here’s the scan Old School Photo Lab delivered, after I tweaked it in Photoshop to my liking. Both my scan and Old School’s scan are crops of the original image to the interesting part of the scene. My scans are about 5200 pixels square, give or take, while Old School’s are slightly off square at 4832×4760 pixels.
Here’s my scan of the Boone County courthouse in Lebanon’s square.
And here’s Old School Photo Lab’s scan. Either scan is acceptable. I like the tonality in my scan a little better as it feels more realistic to me. The Old School scan looks to be a bit sharper.
The next two images are from my Yashica-D on Fujifilm Neopan 100 Acros. I could have done a better job of cleaning minor dust marks off my scan, which is below. It’s otherwise a perfectly usable scan.
Here’s Old School Photo Lab’s scan. At blog sizes, they’re hard to tell apart. Both images are crops of the original frame, by the way.
These two images are from the far-northwest corner of Indianapolis, which is quite rural. Here’s my scan of a cemetery that lies along the road above.
Old School Photo Lab’s scan appears sharper — compare the grass in both scans. But either scan is eminently usable for my purposes.
I am pleased with my scans. I would use them for any of my usual purposes.
These experiments, and your comments on them, have taught me some key techniques. First, thanks to your advice I’ve turned off all the built-in image improvements in ScanGear and scan at as close to 4800 dpi as I can. Second, I’ve learned enough about the Amount, Radius, and Threshold settings in Photoshop’s Unsharp Mask filter to sharpen my images acceptably.
I see I’ve still much to learn about how to look at a photograph and see its details. In these experiments I’ve studied my scans in far more detail than I’ve ever studied a photograph, and compared them in depth to the lab scans, and thought about what I like in a scan. I realize I need to study far more photographs to learn how to see their details and decide what I like.
I also now realize just how much the quality of a lab scan might have affected my views of various cameras, lenses, and films, and how excellent scans might have enabled the praises I heaped on particular gear or films.
I feel like a man who thought he’d climbed a mountain, only to find that he had scaled but a foothill to see the real mountain emerge from the mist.
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Last updated on 19 March 2020 by Jim Grey