I’ve made public declarations on Facebook and Instagram that I will not publish on those platforms frequently anymore. I’d like to say that Facebook’s drunken-pirate behavior with our data finally pushed me over the edge, but I can’t. On Facebook I finally had enough of the political tribalism. On Instagram, about every fourth post is an ad. I’m not anti-advertising but that’s too much.
I’m not deactivating my accounts. I’ll still check in from time to time, if for no other reason that I still promote this blog through a Facebook page (here if you’re curious) and share from that page to various Facebook groups. Like I’ve said before (here), Facebook remains the most effective way I’ve found to promote my blog. I still promote the Historic Michigan Road through Instagram (here).
But I want to look at photographs, especially film photographs. When I make time to really study a good photograph, not only does it deepen my enjoyment, but it can teach me something about photography that I can try on my next roll of film.
If I follow you on Flickr, you might have noticed that I’ve starred more of your photographs lately. I’m shifting to Flickr as the primary place I go to view photos and (outside of this blog’s comments) interact with photographers.
Flickr isn’t as fun as it was when I joined in 2006. But I want to believe that new owner SmugMug means what it says and will revitalize the community. I see no ads there, and I’m not aware they use my data beyond what is necessary to operate the service.
I’ve always been able to look at photographs there as easily on my desktop as I can my phone. And now that SmugMug has increased the maximum upload resolution, I can study photographs there in ways not available on any other platform I’ve used. Facebook and Instagram can’t touch Flickr here.
If you’re active on Flickr I’d like it very much if you’d leave your Flickr URL in the comments, unless you’re sure that I already follow you there. Here’s my Flickr stream if you’d like to follow me. Thank you!
Last updated on 14 March 2020 by Jim Grey