The 1968 Yashica Lynx 14e is a fixed-lens rangefinder camera that packs an incredible lens — 45mm at a whopping f/1.4.
I first shot the Lynx 14e on a road trip with Kodak T-Max 400 inside. The results blew me away. Just look at those creamy tones, that crisp detail! Even four years after making this photo, looking at it still floods my brain with pleasure hormones.
Here’s one more past photo from this camera, which adores being shot inside on fast black-and-white film. This time I used Arista Premium 400 (discontinued; I miss it). I photographed this Auburn Model 654 at the factory museum in Auburn, Indiana. Just look at this excellence. Look. At. It. So good!
All is not perfect with my Lynx 14e: it underexposes by a stop. It’s not the end of the world, because I just set exposure a stop lower (say, EI 200 when shooting ISO 400 film) and all is well. But if I keep the camera, I’ll send it for CLA and have the meter calibrated.
Its meter is powered by two PX640 batteries, of the mercury type that has been banned for years. I own no other camera that uses this battery. Fortunately, you can buy alkaline batteries of this size on Amazon for a few dollars. The voltage is slightly different but if you’re shooting negative film it shouldn’t matter.
Since I wanted to see how this lens likes color film, I loaded some Fujifilm Superia X-tra 400. Also, it was the dead of winter and the gray days called for fast film. I started shooting stuff around my house.
This lens finds whatever’s interesting about the light, and enhances it.
These images are short on shadow detail. I tried to bring it out in Photoshop but it just wasn’t present.
We got a rare day of full sun in early February so I took the Lynx into town to make a few photos. I dropped the camera’s ISO setting another stop for these photos, for two reasons: this film loves to be overexposed, and I wanted a little exposure flexibility as otherwise every shot would have been at 1/500 sec. and f/16.
I’ve never seen Superia X-tra 400 look this good. I got Portra-like color from it.
Other reviews of this camera have panned how you activate the camera’s meter: you press the amusingly named “Switch” button on the front of the camera. The consensus is that it’s awkward. But I’ve never had any trouble.
What I did have trouble with, on this full-sun day, was reading the red OVER and UNDER indicators in the viewfinder window. They light when exposure is wrong; you adjust aperture and shutter speed until they disappear. They blaze bright in muted or inside light. Direct sunlight washes them out.
See more photos from this camera in my Yashica Lynx 14e gallery.
When I evaluate a camera, I like to take it on a solid photographic assignment so I have a chance to bond with it. Unfortunately, cold and snowy February is the worst month of an Indiana year for photography. It took me weeks to get through the roll, sneaking in a shot here and there as I could. It didn’t create the best experience with this heavy camera.
Moreover, even after thinning my herd as far as I have, I still own more cameras than I can shoot regularly. It is just a flat shame to own a good camera I seldom or never use. I’m not sure how often I’ll get around to shoothing my Yashica Lynx 14e.
Still, I continue to be bowled over by the sharpness, detail, and tonal range this lens delivers. This camera deserves more of my time.
If you like old film cameras, check out all of my reviews here!
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