When I started collecting cameras again in 2006 I decided to specialize in fixed-lens rangefinders. I expected that in time I’d own one example of each of Canon’s extensive Canonet line, with the Canonet QL17 G-III as their centerpiece. I soon found a good deal on this one.
My Canonet had its faults. Leading the way was a wicked light leak from degraded seals, an common affliction with this camera. The shot below of my departed friend Gracie (on Fujicolor 200) shows my Canonet’s light leak in full bloom. After this I sealed the camera’s seams with electrical tape after loading film. Also, lower shutter speeds were suspect, the meter was probably a little off, and the ISO selector was stiff. Yet my Canonet always returned good images.
I adored this camera for several years. It easy to carry compared to the much larger and heavier fixed-lens rangefinders I had been buying and the controls all fell right to hand. I loved the sharp, detailed images the lens projected onto any film I threw at it. Here I used Fujifilm Neopan 100 Acros.
I suspected I was going to want to keep this camera as part of Operation Thin the Herd, but not in its sickly condition. So I sent it out for CLA, and then put two rolls of Agfa Vista 200 through it. Wow, what a CLA will do for how a camera feels in your hands. Every control worked as smoothly as the factory originally intended.
The fellow who did the CLA sent it back to me with a zinc-air 675 battery inside. It powered the meter accurately. But this Canonet was designed for 625 mercury batteries, which have a different form factor. Alkaline 625 cells share that form factor, but because they don’t deliver a consistent voltage across their lives they can lead to misexposure. The films I typically shoot have enough latitude that it doesn’t matter, and the alkaline 625s last a long time. The zinc-air 675s die after a few months.
I pulled the 675 out and inserted a fresh alkaline 625 cell — and it didn’t work. I tried another, and it didn’t work either. Puzzled, I contacted the CLA guy, who apologized and said he’d fix the issue if I shipped it to him, but suggested I just use the 675 cells for their always-accurate voltage. I decided it wasn’t worth the cost and hassle to mail the camera back for adjustment. So I just got to shooting.
I didn’t stick with rangefinders. One person gifted me a Minolta X-700 and someone else an Olympus OM-1, and I fell in love with the 35mm SLR. That’s where my collection has gone, and as a result I haven’t shot this Canonet in six years.
It’s a shame, really. There’s still a place in my shrinking collection for a couple good rangefinder cameras. I love my Yashica Lynx 14e for its sublime lens, and my Konica Auto S2 just feels great in my hands. But this Canonet is smaller and lighter than both of them and delivers quality results through its 40mm f/1.7 lens.
Many other fixed-lens rangefinder cameras have passed through my hands, and this little Canonet is the best user of them all. It’s a good size even for my largish hands. The little lever on the focusing ring is right where my finger expects it to be, and it glides precisely. Slung over my shoulder I hardly notice it’s there. I’m more likely to grab it for an impromptu photo walk than any other rangefinder I’ve ever owned.
For this camera’s turn in Operation Thin the Herd I took it on several impromptu photo walks: downtown Zionsville, Lilly Lake at Indianapolis’s Eagle Creek Park, Coxhall Gardens in Carmel, and on a rainy day to the hip intersection of 49th St. and Pennsylvania Ave. in Indianapolis. It was a fine companion on them all. I only wish that the rangefinder patch were brighter. In dimmer light I struggled to see the split image within it. Maybe that’s just middle-aged eyes.
In the decade since I bought this Canonet I’ve been blessed to use some truly outstanding gear. I have a lot more experience now against which to compare this camera. It’s a nice camera. It feels good to use. It gives fine images. But I don’t experience it as great in any of these measures. For most everyday photography I’m going to reach for something like my Pentax ME anyway, mount one of the many excellent lenses I have for it, and get results no less than equal to these.
There’s nothing about this Canonet that makes it my best choice for a particular situation. In contrast, my cumbersome Yashica Lynx 14e has a killer use: its giant f/1.4 lens returns brilliant photographs indoors on black-and-white film. I can imagine future scenarios where I’ll be glad to have that camera in my arsenal. Not so this Canonet.
To see more photos from this camera, check out my Canon Canonet QL17 G-III gallery.
Given this Canonet’s cult status, I feel like I should keep it in my collection. When I put film into it I really thought I’d fall in love all over again. I managed, disappointingly, to fall only in like.
I’ve waffled for weeks about this camera’s fate. I’ve rewritten the end of this post four times, flip-flopping between Keep and Goodbye all the way. What I finally decided is that because I’ve become an SLR guy, any non-SLR has to blow my socks off in some way to stay in the collection. This Canonet just didn’t do that.
Last updated on 1 July 2020 by Jim Grey