Minolta XG 1, 50mm f/1.7 Minolta MD
Agfa Vista 200 (at EI 100)
When I was 22 I broke up with a young woman who I still call my first great love. We were such comfortable companions. Our favorite thing was to watch bad movies together on cable well into the wee hours. She was brilliant at heckling them. Her dry, nerdy humor kept me laughing. I don’t laugh easily. She was a real gift in my life.
Yet we couldn’t make other things about our relationship work, important things. I don’t think she ever felt like I really loved her. I showed her in the ways I knew how, but she needed to feel loved in ways I didn’t understand and couldn’t give. And when I was tired or overwhelmed or irritated I was prickly and difficult. Still am. She never knew how to deal with that and she took it hard.
Sometimes a relationship can’t last because you’re not right together in some ways that really matter. Yet you’re reluctant to end it because it’s otherwise so comfortable. But after awhile comfort isn’t enough, and after a longer while the places where you don’t fit start to grate. More of your needs must be met. We ended our relationship, and it hurt, and we missed each other. But it was necessary.
My many Minolta SLRs have all been lovely and felt great in my hands. Their lenses are sublime. My heart leaps over the images these cameras give me. I want to shoot with them forever.
But they have been so unreliable. I just can’t keep one working for the long haul. There may be photographers out there who enjoy taking their gear apart and keeping them working smoothly. I’m not one of them. I just want my gear to work, period. And that’s why I’ve just sold my last Minolta body and am running right into the arms of reliable Pentax and Nikon.
Last updated on 17 February 2020 by Jim Grey