1952 GMC truck
Pentax ME, 50mm f/1.7 SMC Pentax-M
Kodak Gold 200 (at EI 100)
I had never shot Kodak Gold 200 at EI 100 before. I’d heard that doing so tended to tame the film’s tendency toward “hot” colors. The rumors are true! Every silver lining tends to come with a dark cloud, though: well-lit areas tended to look hazy. I cleared up most of the haze (without resurrecting the “hot” colors) by reducing exposure by up to a half stop in Photoshop.
While waiting for an event to begin I took a walk along South Meridian Street in Indianapolis, where I came upon this old truck. She sure looked good in her patina, parked curbside.