Who doesn’t like the Canon AE-1 Program? It’s universally praised, and with good reason. It’s a capable tool with good features. A photographer could make great images with it indefinitely.
I mounted my 50mm f/1.8 Canon FD lens and loaded up some Agfa Vista 200, which I shot at EI 100. This is the lens I commonly use on this camera, as I did a few years ago on a photo walk Downtown when I had some Arista Premium 400 inside. That’s Circle Tower, a gorgeous building in the Art Deco style.
Old buildings, old cars, and old roads — these are the things I photograph most. No old roads in this post, however, as I took the AE-1 Program to a “cars and coffee” gathering and shot two rolls there. It’s all old cars up in this joint for the rest of this post. I think my favorite car of the day was this late-70s Firebird because it was in rough, original condition. This is what all ’70s Firebirds looked like in the mid ’80s when I was in high school: rusty and rough. The school parking lot was full of them. This parking lot had just this one.
The AE-1 handled perfectly, as expected. Mine has developed that annoying squealing shutter that is common to this camera. But it doesn’t affect function, and it got quieter and quieter as I kept shooting. This Cadillac’s delightful tail was the first photo I made at the event. The shutter howled.
Color and light play make car shows a wonderful place to test gear, especially on color film.
This Porsche Speedster was mobile during the event. I saw it in two or three different places, including coming out of the host’s garage.
People from all walks of life came to show and see the cars. Our shared interest created opportunity to talk to people we might not normally interact with. I bumped into one other fellow shooting film, someone whose clothes marked him as being in a much higher economic class than me. When he heard my AE-1 squeal, he whirled around and said, “I know that sound!” He then showed me the Canon T60 SLR he had picked up in the used section at our local camera store. We chatted for several minutes about the relative merits of Canon film gear.
What I concluded with that fellow is this: every Canon SLR I’ve ever shot has been competent enough, and the lenses are technically excellent. But the cameras never spark joy when they’re in my hands, and the images I get never give me “wow!” moments. In contrast I’ve swooned, and hard, over Nikon and Pentax SLRs and the images I’ve received from them.
I enjoyed my car-show morning with the AE-1. I got good results. But as I reviewed the photos, I felt certain that I would have gotten better color from the delightful 50mm f/2 lens I keep for my Pentax bodies. I know that my little Pentax ME would have felt better in my hands.
This, really, is what Operation Thin the Herd is all about. Now that I have built skill as a photographer and have experienced so much gear as a collector, which gear hits that sweet spot of feeling great in my hands and returning images that delight me? That’s the gear I want to keep.
Yet the AE-1 Program handled everything I threw at it this sunny Saturday morning. I can’t really complain.
If you’d like to see more photos from this camera, check out my Canon AE-1 Program gallery.
My heart beats for Pentax and my mind pines for Nikon. I own plenty of their gear, enough to keep me busy and happy for the rest of my life. Because my Canon gear just doesn’t grab me in the same way, because I’m unlikely to use it very often, I should probably let it go. Perhaps I’ll keep one body, maybe my mechanical TLb, and a couple of my older lenses. Perhaps not; this isn’t the day to decide. But this is the day to decide about the AE-1 Program, and I know it’s time to let it go.
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Last updated on 1 July 2020 by Jim Grey