Sometimes a person needs to just get out and shoot for the joy and fun of it. At such times, a great choice is an auto-everything SLR and a zoom lens. You’ll be ready for pretty much anything you encounter. Especially when the body you choose is as robust and capable as the Nikon N90s.
I’ve had great luck with this camera every time I’ve shot it, no matter the film or lens I chose. Here I used the well-regarded 50mm f/1.8 AF Nikkor on Arista Premium 400.
And here I used the 28-80mm f/3.3-5.6G AF Nikkor that came in the kit with the Nikon N65 I used to own, on very expired and poorly stored Fujifilm Superia X-tra 400.
Ken Rockwell calls this plastic-bodied zoom lens one of Nikon’s 10 best lenses ever. I marvel at that a little bit, as Nikon had to have made ten superior F-mount primes. But this lens turns out to be a good performer, sharp edge to edge anywhere in the zoom range.
It does have some barrel distortion at 28mm. The shot below shows it a little. That’s its major flaw. But I’m not much of a 28mm guy anyway. 35mm is as wide as I normally go, and the distortion is largely tamed when you zoom in that far.
The lens also had some difficulty focusing close. I tried to capture some magnolia blossoms but the lens would only hunt. It also tended to wash out the image a little if the sun wasn’t directly behind me, as this shot of the Slippery Noodle bar shows. I’ve meant to go to the Slippery Noodle ever since I moved to central Indiana in 1994. They say they’re Indiana’s oldest bar, operating since 1850.
But this should be a referendum on the N90s and not on that lens. So let’s get to it: this camera is large and fairly heavy. Also, its controls don’t follow the modern “mode dial” SLR idiom. But I didn’t experience its weight as a problem. And those controls, specifically a bunch of buttons and one unlabeled dial, are not hard to discover and learn.
For example, I was pretty quickly able to figure out how to manually set ISO. The camera accurately read the DX coding on the Fujifilm Superia X-tra 400 I had loaded, but I wanted to shoot it at EI 200. A few button presses and I was set. But on this cloudy-day photowalk Downtown along South Meridian Street I might have been better served leaving the film at 400. Meridian Street is the city’s main north-south drag, but some street reconfiguration in this area isolated a couple blocks and the lovely old homes on them.
The N90s gives you a lot of controls to keep track of. Apparently I set the camera to center-weighted metering the last time I used it, and forgot to reset it to matrix metering for this roll of film. I think that might have contributed to the problems in this shot of St. Elmo’s, a steakhouse operating since 1902. Pro tip: before shooting an N90s, press in the two green-dot buttons atop the camera for a few seconds to reset the camera’s settings.
But for this full-sun shot, everything worked perfectly. The Union 525 was originally a high school but is now a space where startup tech companies can begin to build their businesses. There’s quite a tech startup scene here in Indianapolis.
The callery pear were in bloom this day. They smell like rotting shrimp.
I’ve shot this camera often. See everything I’ve photographed with this camera in my Nikon N90s gallery.
A couple years ago I chose this N90s as my Nikon auto-everything body over the entry-level N60 and N65 I used to own. Those more basic bodies certainly demand far less of me than the N90s and could certainly have taken every photo you see in this post. But among these cameras the N90s was the only one built to last.
As I’ve been thinning this herd I’ve already decided that my main SLRs will be metal, (mostly) mechanical, and manual focus. I’ll never leave my first love, Pentax. And I have some truly great Nikon gear that will always have a home here. I might keep a Minolta and a Canon body in case I come upon an interesting lens for those mounts.
But I like the N90s. It’s a smashing companion to my 50/1.8 AF Nikkor and my wife’s 35/2 AF Nikkor lenses. With this zoom lens attached it’s a fine, but heavy, photo-walk kit. If in a few years I find I just don’t use it much, I reserve the right to change my mind — but for now…
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Last updated on 1 July 2020 by Jim Grey