Owning Pentax film gear appeals deeply to my inner tightwad. Bodies and lenses usually go for less, and often for far less, than their Canon and Nikon equivalents. And the lenses are (usually) so good. As a result, I own more Pentax gear than any other kind.
So I reach for my Pentax gear most often when I have a specific shooting need, such as low light or distance or macro. So it was in Cincinnati recently. I took my 50mm f/1.4 SMC Pentax-M lens for the available light of the American Sign Museum, and my 80-200mm f/4.5 SMC Pentax-M Zoom lens for the Cincinnati Zoo.
The tl;dr, especially for those of you poised to pooh-pooh this lens for not being a prime, is that it’s a pretty good performer. Would primes along this zoom’s range perform better? I’m sure they would. But in each shot it took me only a second to push or pull the zoom ring to the right focal length. Try that with a bag full of primes.
At 5 3/4 inches from mount to tip, and a half-inch or so longer when focused to infinity, this is a lot of lens to mount to a body as compact as my Pentax ME. It’s not terribly heavy at about 20 ounces, but it made the camera front-heavy just the same. It’s solidly built of all metal (with a rubber zoom grip). The zoom ring has great heft as you push and pull it. It feels like quality. My only beef with the lens’s build quality is that the aperture ring feels thin and tinny inside as you twist it through the crisp detents.
This lens is adequately sharp. The forums say it’s a little soft wide open, but I never saw any of that. What I do know is that all the images on this roll of Fujicolor 200 ran uncharacteristically cold, and I had to warm them up in Photoshop. And a couple of my images show a wisp of purple fringing.
It was a chilly but bright early-spring afternoon and many of the animals were not out. Those that were just wanted to lounge quietly in the sun.
It made for easy, if not terribly interesting, photography: zoom in, frame, and click. Little animal motion to contend with.
You might remember this photo from a few weeks ago, and that I couldn’t remember which camera and lens I used to shoot it. I’ve figured it out: the Pentax ME and this zoom.
Yep, this zoom delivered this lovely swirly bokeh. (On expired Kodak Gold 400, no less.)
So this lens is a keeper. I’ll probably use it once every blue moon, but when I need it I’ll be very glad I still have it.