Old folding cameras are so elemental. You get a lens and a shutter, but everything else is up to you. Plus, even the most straightforwardly styled of them look elegant. It’s like having a beautiful but difficult girlfriend. Especially when something’s wrong in the relationship and she leaves it entirely up to you to fix it. That’s how it has gone for me with this Certo Super Sport Dolly.

Certo was a German company, headquartered in Dresden. It produced a wide range of Super Sport Dollys (Dollies?) from about 1934 to about 1942. Mine is a Model A, the most common version by far. It takes 120 film. SSDs could be had with a dizzying array of lenses and shutters, but mine happens to feature the most common lens, the capable 75mm f/2.9 Meyer Görlitz Trioplan, set in the most comon shutter, a Compur, which operates from 1 to 1/250 second.
Certo also offered the Model B, which adds the ability to use plate film, and the Model C, which adds to the Model B the ability to rewind rollfilm. Most SSDs have a pop-up viewfinder, but the Models A and C could be had with rangefinders. And some SSDs focus by twisting the front lens element, and others focus by moving the entire lens board.


But back to my Model A. Notice the three frame-counter windows on the back, behind a door that covers them. Masks that clip on inside the camera let the SSD create either portrait 4.5×6-cm or square 6×6-cm negatives. The top and bottom windows count 4.5×6 frames and the center window counts 6×6 frames. My SSD came with only the 6×6 mask. New SSDs shipped with an exposure calculator card inside the door. As you can see, my SSD’s original owner replaced that card with some personal exposure notes.

My SSD shows signs of heavy use and rough service. But the lens is clear and focuses smoothly. And the shutter snaps with square-jawed, steely-eyed authority. It sounds like it means business. It’s the Charles Bronson of shutters.
If you like folding cameras like this one, also see my reviews of the Voigtländer Bessa (here), the Kodak Monitor Six-20 (here), the Kodak Tourist (here), the Ansco B2 Speedex (here), and the Ansco Standard Speedex (here). Or check out all of my camera reviews here.
But before I could use this Certo Super Sport Dolly, I had to repair it. The focusing mechanism was broken. I outlined the repair here. Once fixed, it behaved beautifully.
I shot a roll of Kodak Ektar 100 at Crown Hill Cemetery on an overcast day late last autumn. Just look at the great sharpness that Trioplan lens delivered. The bokeh is middling, though.

I found it hard to frame in the tiny viewfinder. I worried that close shots would be misframed, and I was right. My framing of landscape shots turned out fine, though. I shot a lot of landscapes to check the SSD’s infinity focus. A complete repair of the focusing system would have included properly collimating the lens. That sounded like a hassle so I set infinity focus quickly and dirtily. It turned out okay.

Oh bother, a light leak. See it there, on the right, about 4/5 of the way down? There really isn’t much to go wrong with a simple camera like this, but bellows pinholes is one of the most common problems. My cursory initial check of the camera didn’t find any pinholes, but I suppose that’s the problem with cursory checks.

This throwaway shot of cars in my driveway shows the leak at its leakiest.

I took the SSD into a dark room and shone a bright flashlight into the bellows. The corners lit up with pinholes. I dabbed fabric paint onto them all as a quick fix, let it dry, and tried the camera again. The film this time was Kodak Tri-X 400.

I took the SSD out on a short trip up the Michigan Road. I stopped in Kirklin first for a few photos.

Then I moved north along the road to Burlington for a few more photos. As you can see, the fabric paint cured the light leak. At least it did for now; who knows how permanent a fix that stuff is.

Once again I discovered that the SSD is best at medium distances and beyond. Anything too close, and you can’t be sure of the viewfinder’s framing. This is my only real gripe with the camera.

If you’d like to see more, check out my Certo Super Sport Dolly gallery.
I really liked using the Certo Super Sport Dolly. I need to shoot it again soon, because a beautiful but difficult girlfriend gets crabby when you don’t take her out often enough.
If you like old film cameras, check out all of my reviews here!
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