You might think that heavy metal music faded into irrelevancy after the big-hair 1980s. That is, if you’ve even thought about heavy metal since then! Well, I have. I’m still a fan, and I still buy the latest music from the bands I’ve liked all these years.
That’s right: a handful of those loud, hard bands are still at it. My favorite, pioneers Iron Maiden, have been recording and touring for more than four decades now. Their sixteenth studio album arrived in 2015, and a world tour followed promptly. My old buddy Michael and I caught them in Chicago last April. I took these photos from our nosebleed seats at the United Center. This is what a sold-out show looks like.
It’s not just the geezer bands that keep metal going — new bands have been forming, recording, and touring steadily all these years. Clearly, heavy metal isn’t dead!
But how could it possibly endure? I have a theory.
Metal is overwhelmingly a white, male music genre. When I go to a concert, the audience is easily 80% white men.
Also, metal appeals most broadly to the working class. (At least in North America. Across Europe, it enjoys surprising popularity among the wealthiest, best-educated countries. I can’t explain it, so I’ll just focus on North America.) It’s impossible to be certain of any metal concertgoer’s socioeconomic class simply by looking at them, especially since our “uniform” is faded jeans and a black metal-band T-shirt. But a fellow so clad is more likely than the average man to be working class or close to it, or to have working-class roots (like me).
I think it’s fair to characterize the working class as having roughly high-school educations, working low-status occupations, and earning below average incomes.
I think it’s risky, however, to characterize the working class’s views and ways, as any socioeconomic class contains diverse experiences and viewpoints. But I’m going to try anyway, because given my working-class roots and my involvement in a church that serves the poor and working class I think I have reasonable insight into it. I experience the working class as much more likely than higher classes to view the world in right/wrong, black/white terms. The low-status, low-wage work the working class finds limits their agency, often placing them at the mercy of their employers, their creditors, and even their government. As a result, they are likely to experience the world as stacked against them. The working class is simply more likely than higher classes to experience life as brutal and unforgiving. And working-class people generally don’t understand how the higher classes function (and vice versa), which makes it harder for them to break into higher classes even when opportunity presents itself.
It’s a life that makes one more likely to be nihilistic. If you tread water some or all of the time and daily living is this hard, then what’s the point of life?
And that’s enough to make a fellow angry. Deeply, smolderingly angry. This is where heavy metal music comes in. It’s a fabulous way to release that anger.
It’s what attracted me to the genre. I was a pretty angry fellow, deep down, in my late teens and early 20s. Nothing vented my steam like some blazing metal! Even today, a good headbang deeply presses my internal reset button. And in metal circles I meet other men for whom this is also an acceptable emotional outlet. It bonds us.
It helps a lot that metal’s favorite song subjects tend to emphasize a black-and-white, low-agency life — dystopian futures, the futility of war, the inevitability of death. Or they deal in subjects that provide fantasy relief from that life — stories of sword and sorcery, boats of personal power through might, and glory in drugs or sex or fame.
I think this is what attracts the working class more readily to Donald Trump than to Hillary Clinton. Trump is almost like a heavy metal song, with his black and white rhetoric that effectively labels the current system as dystopian, and with his direct declarations of power and mastery over perceived and real threats.
I think it reaches the same anger that draws white, working-class men to heavy metal music. White, working-class men make up a large portion of Trump’s base. That’s not to say that most of Trump’s base listens to heavy metal, but I’ll bet there’s a strong affinity between metalheads and those voting for Trump.
That’s not to say I’m falling for it, by the way. I find Trump to be horrifying.
Trump becoming President won’t magically resolve this anger. Electing Hillary doesn’t make these disaffected people go away. Our next President needs to work to create opportunities, perhaps even outright create conditions, that let working-class people move from survival mode into greater security and upward mobility. Because they’re righteously pissed, and that’s not going away on its own. If the next President ignores this, the election that follows will make this one look like a walk in the park.
Last updated on 3 March 2020 by Jim Grey