I’m not impressed that you own a Leica. Or a Hasselblad, or a Nikon F series, or any other fine, expensive camera.
Far be it from me to say you shouldn’t own one. I own a Nikon F2 and an F3 myself.
But if you want to impress me, show me your work.
I never tire of looking at this photo. I made it with my Argus A-Four, a 1950s 35mm viewfinder camera made of bakelite and aluminum. It packs a surprisingly capable 44mm f/3.5 Coated Cintar lens. I paid ten bucks for it.
I paid closer to $100 for my Nikon N2000 and a 35mm f/2.8 AI Nikkor lens. That’s a bargain compared to a working F2 body. Yet there wasn’t anything I could capture with that 35mm lens on my F2 that I didn’t capture when I recently shot that lens on my N2000.
That’s not to say I enjoyed using the plasticky N2000 as much as I enjoy using my solid, smooth F2. It’s wonderful to experience such a fine instrument. An Argus A-Four feels cheap in its own right; it’s ridiculous to compare its usage experience to that of any Leica. Cameras so fine deserve their devoted and fawning followers.
Yet so many of those followers treat their cameras as museum pieces. If you’re among them, I refer you to the work of John Smith, who shoots his Nikons and Leicas all the time. He makes wonderful photographs of the northern California coast. Check out his blog here.
Some of these followers even look down their noses at cameras they consider lesser. If you’re among them, I refer you to the work of Mike Connealy, who uses simple gear to make stunning photographs. Check out his blog here.
Consider this a challenge to make good work — especially using simple, inexpensive tools.
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