I think I was made to shoot 35mm SLRs. I am happiest using them, and consistently get my best results from them. So despite wishing for a pocketable compact camera for my upcoming trip to Ireland, I also decided to audition an SLR.
My ideal SLR for this trip would be small and light — and one over which I would not cry if it were damaged, lost, or stolen. As much as I love my pro Nikons, the F2 and F3, they are none of these things.
But my N2000 checks most of those boxes. My Pentax ME and Olympus OM-1 are noticeably smaller, but are no lighter thanks to the N2000’s polycarbonate body. And should I need to replace it, N2000 bodies can be had on eBay every day for under $30.
The N2000 has many useful features, first among them being programmed autoexposure for times I want to just point, focus, and shoot. It also offers aperture-priority autoexposure and manual exposure for when I want more control. It also winds the film automatically, and is powered by four common-as-pennies AAA batteries.
Because I wanted to shoot a 35mm lens on this trip, I bought one: the 35mm f/2.8 AI Nikkor. And then I dropped in some Kodak T-Max 400, clipped a shoulder strap to the lugs, and went out. Except for the jarringly loud motorized winder, this camera handled beautifully.
I got beautiful tones everywhere I turned with this 35mm lens and the T-Max.
The film and lens did have a little trouble with Margaret’s white hair here, though.
I was impressed with how this camera, lens, and film managed scenes with both bright and dark areas. I did, however, tweak a few scans (including this one) in Photoshop to lighten the shadow areas a little.
Moving up close with this 35mm lens I was able to get a reasonable blurred-background effect. I shot this whole roll in program mode, and I like very much how the N2000 biases toward shallow depth of field at close range.
I almost always shoot 50mm lenses on my SLRs with their relatively narrow field of view. This 35mm lens let me see so much more of my surroundings.
I’ve tried to capture this ice-cream shop with my 50mm lenses before, and I can’t back up far enough on this street to get it all in without first bumping into another building. The 35mm lens opened the view up wide, and the house fit right in.
I fell in love with this 35mm lens. Now I want one for my Pentax K-mount SLRs, too. This is just a wonderful focal length for walking around in the world.
This 35mm Nikkor is also plenty small and light. On this light N2000 body, I barely felt this camera when it was slung over my shoulder. It’s bigger, of course, than the Olympus Stylus I reviewed on Friday, and the Olympus XA that I’m auditioning as I write this. But given how much I enjoyed using this camera and how much control it gave me over my images, this N2000 and this 35mm lens stand at least an even chance of going to Ireland with me.
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Last updated on 19 March 2020 by Jim Grey