Check distance! Too dark, use flash! Load film! This camera barks orders and warnings at you when you’re about to screw up. It’s the Minolta AF-Sv, also sold as the Minolta Talker.
Produced in about 1983-85, it was the first camera to include a voice chip. It called you out when there was no film in the camera, when you needed to turn on the flash, and when the subject was too far away to be lit by the flash. Its voice is female, quick, clipped; I can’t place its accent. It’s supposed to say the three things I listed in my opening paragraph, but “Too dahk! Use flash!” is all I could make it say. And then it let me take the picture anyway.
This is a pretty reasonably specified 35mm point-and-shoot camera, beginning with its 35mm, f2.8 lens. It takes film from ISO 25 to 1000, which you set by rotating a dial around the lens. It includes a pop-up flash and self-timer, as well as a lens/body cap attached to the bottom by a cord. It winds and rewinds the film automatically. It’s all powered by a common AA battery.
I loaded some good old Fujicolor 200 to test this camera that talks with a sharp accent.
And I was impressed with the results. Sharp! Colorful! But dark. Some of that might be because every time I shot it, I was on an evening walk. But even in full sun, there was a darkness about the images. Fortunately, easy adjustments in Photoshop brought out the shadow details and deepened the colors. Wowee wow!
Just look at how this camera resolved the light and shaded areas in this photograph! Yes, the shaded area was darker before I processed the scan, but the shadow detail was all there.
Autofocus worked great. Whatever I aimed it at within its autofocus range, it resolved perfectly. I gather that the AF-Sv has three focus settings, and it uses phase detection to determine which zone to use. It’s fast and silent — so much so, you might mistakenly think the AF-Sv is a fixed-focus camera.
Close shots suffered from my point-and-shoot pet peeve: a viewfinder that shows less than what the lens sees. For this shot of the crying angel, I cropped out the top and side to get what I remember seeing when I framed this.
I never wandered far from home with the AF-Sv. This is the golf course behind my house.
And here’s the chapel on the cemetery grounds near my house. I found it open and deserted this evening.
And here’s the church on the main road across from my subdivision. Everywhere I aimed this camera, it returned good color and clarity and sensitive resolution of both light and dark areas. My only complaint is that highlights were sometimes a little blown out.
I reach the cemetery by walking through the church’s parking lot; the two are adjacent. A replica of the Liberty Bell is on the cemetery grounds, under this housing.
See more from my test roll in my Minolta AF-Sv gallery.
The AF-Sv performs impressively. I think it gives the most satisfying results of any of the point-and-shoot cameras I’ve reviewed. I see qualities in these photos that I’m used to from my Minolta Hi-Matic 7 and from the fine lenses for my Minolta SLRs.
But nuts to the AF-Sv’s useless voice. Fortunately, there’s a switch on the back that shushes it.
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