The last instant pack film is dead. Fujifilm has discontinued FP-100C, a color film.
I’m sure this is old news to some of you, as Fujifilm announced this at the end of February. Prices immediately jumped on remaining inventory. I bought three packs before prices shot into the stratosphere.
I’ve shot Polaroid packfilm cameras off and on since the 1970s, when my grandparents bought me one new for Christmas. I was charmed that I could get a print in 60 seconds, but wasn’t impressed with the the prints themselves. The colors were weird, and worse, they darkened with time.
In comparison, the Fuji films were wonderful. The black-and-white FP-3000B, which was discontinued in 2013, had good tonality and range. The FP-100C’s appealing candylike colors made it a go-to film on a bright spring day. Better still, the prints stay bright for years.
And both films yield great sharpness when used in a camera with a capable lens. Photographers who put instant backs on their medium-format cameras got stunning results. My old folding Polaroid Automatic 250, with its decent lens, returned solid results. It was such a pain to use, though, that I gave it away and bought a rigid-bodied Colorpack II to replace it. I loaded one of my last packs of FP-100C into the Colorpack II recently and took it out to shoot spring color. I started with my freshly bloomed daffodils.
Up close on a bright day, the Colorpack II even creates a little bokeh. It’s not great bokeh, but that this lumbering brute of a camera does it at all pleases me greatly. The film does lose detail in the highlights, though, as you can see where the sun hits the top of this fire plug.
I took the Colorpack over to Holliday Park one afternoon. The Ruins, a huge art installation on the grounds, is being renovated and somewhat reworked. This is where they’re washing out concrete.
The Colorpack also came along with me to work one day. It’s conspicuous camera and it attracted a lot of attention around the office. Many of my young co-workers had never seen a packfilm camera before. This orange Vette in our parking lot doesn’t belong to any of them.
The callery pear trees have all finished blooming now, thank goodness, because the flowers smell like rotting shrimp.
One morning’s sun lit my living room well, so I tried an available-light shot of my bookcase. On the middle shelf are my Pentax ES II, Spotmatic SP, and H3; and my Yashica-D and Yashica-12. My Canonet QL17 G-III is hiding on the top shelf. The camera and film don’t give much shadow detail. I couldn’t even bring any out in Photoshop. Sharpness is off, too. If I had to guess, the camera probably went wide open (f/9.2) for this shot, and that’s when the lens is probably at its softest.
Finally, on an overcast day I finished the pack by shooting my house. I think this print’s flat colors show well that FP-100C is born for a sunny day.
I’m going to miss the Fuji pack films terribly. I shot two or three packs a year and always really loved the experience and the results. I know I can always buy (crazy expensive) Impossible films for my Polaroid SX-70, but the hard reality is that image quality just isn’t very good. The pack films and associated cameras truly were the pinnacle of instant photography. It’s a real shame that their era is ending. Yet it’s remarkable that their era lasted as long as it did.
Last updated on 19 March 2020 by Jim Grey