The more Kodak Plus-X I shoot, the more I love it for its rich blacks and low grain. I wish I could shoot it forever. Alas, Kodak discontinued it four years ago. It was only through the Film Photography Project’s cache of cold-stored expired stock that I had any at all. But now it’s out of stock at the FPP. I’m going to move on, probably to Kodak T-Max 100. But not before shooting the last two rolls chlling in my fridge.
I shot one of them in my Canon EOS Rebel, but you might recall that its shutter was busted. Thank goodness I figured that out before I sent the Plus-X in for pointless processing. I fished the leader out of the film can and dropped the cartridge into my reliable Nikon F3HP, as it needed some exercise. I also attached my 50mm f/2 AI Nikkor lens, and took the camera along from time to time over the next few weeks.
I first took the F3 along on my autumn walk through nearby Crown Hill Cemetery. It’s become common for me to carry more than one camera on a photo trip!
That was such a colorful day! And the color shots I got on the same day were lovely. But there’s something about a cemetery that just begs to be shot in black and white.
I also took the F3 along on the elders’ retreat. The shots overlooking the lake turned out best.
Such sure tones everywhere in these lakeside shots. And the Nikkor delivered the sharpness.
I liked this one best because of the wonderful reflection.
I took a couple shots around the church. I liked this one best, of one of the concrete blocks that separate our parking lot from the alley.
I finished the roll around the house. I love shooting this trio of trees on the golf course behind my house. That tree in front is an ash tree and it’s dead, thanks to the emerald ash borer. The golf course will eventually have to remove it, and then this favorite subject will be forever altered. I doubt I’ll like it as much.
I had a yellow filter on that afternoon, and shot my leafless front-yard trees against this sky filled with wispy clouds.
Come back on Friday, and I’ll show you my favorite shot from this roll. It’s just a perfect exposure.
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