I got such beautifully colorful results when I shot with my Kodak Brownie Starmatic last year that I knew I’d want to try a roll of black-and-white film in it. At the time, Croatian film producer Efke still made a black-and-white stock in size 127, the last one in the world. I ordered two rolls. And then their equipment promptly broke down, and the company decided to throw in the towel. At least I decided to buy before the film became unavailable.
The Starmatic was among the most expensive Brownies ever made, costing $34.50 in 1959. That’s equivalent to $277 in 2013. The Starmatic cost so much because it offered automatic exposure, an unheard-of luxury feature among Brownies. It used a selenium meter to vary aperture (down to only f/8) around its single shutter speed, which is probably 1/30 or 1/60 sec. It adjusted for the film speed you set using a dial atop the camera, from 32 to 125 ASA. The ISO 100 Efke seemed like a perfect match for this little plastic camera.
Yet after I shot the roll, I got a set of muddy, low-contrast prints back from the processor. I use Dwayne’s to process my 127 film, and they don’t scan 127 negatives. My scanner doesn’t handle 127 negatives, either, so I have Dwayne’s make prints, which I scan.
Last time I used the Starmatic I put ISO 160 Kodak Portra in it. I set the film speed to max, 125, and hoped for the best – and got very nicely exposed images. Perhaps the selenium meter in my Starmatic is a little weak, and I would get better results with the Efke 100 if I set the Starmatic to 80 or 64. I am also curious whether I’d get better results if I scanned my negatives rather than the prints. I’ve wanted a scanner that can handle medium-format negatives, as my Epson V300 is limited to 35mm; maybe now’s the time to finally buy.
I fiddled with my print scans in Photoshop Elements. This helped, but didn’t entirely solve the muddiness. Here are the photos I liked best from this roll. I shot this tire among the rolls of hay near an abandoned, unfinished bridge.
My friend Dawn lives out in the boonies and she keeps two of her neighbor’s horses on her property. Here’s one of them.
When I walked the streets of Indianapolis with my Polaroid SX-70, I wore the Brownie around my neck, too. I thought this tree was dramatic, so I shot it.
I finished the roll at home after work, as the sun was starting to set.
You can see more photos from this roll, as well as the roll of Portra 160 I shot, and a scan of a Kodacolor II print from another Starmatic I owned when I was a teenager, in my Kodak Brownie Starmatic gallery.