Music, Stories told

Best of DTR: Brushes with greatness

When I published the first version of this post in April, 2007, the blog was new and got maybe five hits a day. I get, gosh, a whopping 50 hits a day now and have a few regular commenters, so I thought I’d dust this favorite off, update it a bit, and post it again.

My 1975 Ford PintoIn the summer of 1986 I drove a rusty brown 1975 Ford Pinto all over northern Indiana delivering papers and small packages for a courier service (owned by my aunt, thank you nepotism). This car came complete with manual steering, manual brakes, and an AM radio with a single speaker mid-dash. The South Bend AM radio dial offered me news, religion, polkas, and old-fogey music, but I could also pick up WLS from Chicago, which was still playing rock and top 40. That summer WLS was my driving companion. Fred Winston did the morning show, Don Wade and his wife Roma held down middays, and Larry Lujack and Rich McMillan came on in the afternoon. They were all talented and entertaining jocks and soon I listened more for them than for the music. I can’t remember which of them had the semi-regular call-in feature called Brush with Greatness, in which listeners were invited to call and tell stories of times they encountered famous people. A remarkable number of those stories were funny or touching.

For a guy who has always lived in places famous people studiously avoid (despite Steve Martin’s famous trips to Terre Haute), I’ve met a few people of talent and notoriety. These, then, are my brushes with greatness.

I admit that this first story is a stretch, but it’s my blog and I want to tell it. My parents have played canasta with their best friends every Saturday night since 1966. Somehow, Mr. Porter knew Tony Randall, whom you know as Felix Unger on the sitcom The Odd Couple. One Saturday night sometime in the late 70s, dragged along to the Porters’ for another night of watching TV until my parents quit playing cards, the air was electric because Mr. Randall was expected to call sometime that evening. And he did call. While Mr. Porter and Mr. Randall talked, I sat in wonder that this man I watched in reruns was alive at his telephone. Did he stand at the wall phone in his kitchen like Mr. Porter, I wondered, or perhaps did he sit in a cordovan leather wing chair in a book-lined study with a half-consumed glass of tawny port next to his black desk phone on an oval walnut end table with red oak inlay? Mr. Porter seemed a little taller to me for a while after that call.

Here’s a much better story. In the summer of 1985, I met a bunch of friends from all corners of Indiana on Long Beach near Michigan City for a weekend of beaching and catching up with each other. All of us being 17 or 18, we thought nothing of cramming ourselves into a little hatchback for a drive. One was in the way back trying not to crack her head on the hatch glass, four or five were crammed into the back seat, I was in the front seat with a lovely girl on my lap (no seat-belt laws in Indiana then!), and of course somebody drove. Our windows were down as we cruised so we could enjoy the warm summer air. At a light, a dark-colored BMW sedan with tinted windows pulled up alongside us on our left. We all oohed and aahed over the shiny Bimmer when the front passenger window went down. A man leaned across the seat and asked us for directions to a movie theater. He looked familiar, and his voice was distinctive, but it wasn’t until our driver asked in disbelief, “Are you Jim Belushi?” that it clicked. He said yes and immediately asked again for directions. The girl in my lap lived in the area and started to shout the directions as the light changed and the rest of us in the car went nuts. I remember a towheaded little boy popped into view in the passenger seat and looked around as we all drove off, directions still being given. We were going pretty fast by the time Jim thanked us, rolled up his window, and zoomed away from us. I still don’t know what the heck Jim Belushi was doing in Michigan City. Somebody said his family owned property on Long Beach.

During my teenage years I met a bunch of artists who had exhibits at the art museum at the University of Notre Dame, since dad’s friend Porter directed the museum. The only artist to leave any impression on me was Christo. He and his wife Jeanne-Claude do big and sometimes controversial works such as wrapping the German Reichstag in over a million square feet of woven polypropylene in or hanging saffron-colored strips of cloth from saffron-colored vinyl poles in New York’s Central Park. Anyway, when Christo entered the room, its whole tenor changed. The man had his own atmosphere! He shook my hand when Mr. Porter introduced me, but in sharp contrast to the air about this man, his handshake was limp. He didn’t look directly at me.

I didn’t exatly meet Richard Carpenter, but I got a letter from him. I’ve always been a closet Carpenters fan, and in 1986 I boldly wrote a gushing letter to the Carpenters Fan Club telling them how much I had enjoyed the Carpenters’ music. A couple months later, a letter came for me in an envelope with the A&M Records logo on it. It contained a brief letter from Richard on A&M Records stationery saying that my letter touched him. His long signature at the bottom looked like a convention of ovals. I have to believe it was a form letter handed to Richard for signature, but I was thrilled anyway. I sure wish I knew what happened to that letter.

In college, my friend Michael was music director for the campus radio station. He worked the record labels to get free records and CDs for the station, and the reps sometimes invited him to concerts to encourage him to put their artists into rotation. In about 1987 he got invited to a heavy-metal triple bill — Armored Saint, Grim Reaper, and power-metal pioneers Helloween, — up in Chicago, and asked me along.Grim Reaper album cover I’m sure you don’t know these bands, but in our world they were pretty much major stars. I liked Grim Reaper all right and I was hot into Helloween, so I was pretty excited. Sweetening the deal, Michael got invited to interview the founder of Grim Reaper, a guitarist named Nick Bowcott. We drove up from Terre Haute in his old Buick, a $750 car stuffed with $1,500 of premium audio equipment. We rocked powerfully and distortion-free all the way to the Aragon Theater only to find that the show had been moved to a bar in some other part of town. I thought we were sunk, but Michael was not daunted. He followed some sketchy directions, threading his leviathan automobile through narrow streets in seedy parts of town, and we made the show just in time. It rocked. Afterwards, we were escorted to the tour bus where Nick awaited. The whole band was on board, along with a stream of girls right around the age of consent with faces full of makeup, bodies not very full of clothes, and eyes full of hope and desire that they would be special that night. Band members seemed at once interested, wary, and uncomfortable with their attention — except the lead singer, who just seemed interested. Most of the girls were shooed off, Nick sat down before us, Michael pressed the Record button on his little tape recorder, and the interview began. Nick was bright, energetic, passionate, and engaged. He answered Michael’s questions thoughtfully and thoroughly, talking freely about the band, making albums, succeeding in the recording industry, and even the existence of God (which he doubted). He looked deeply and intensely into our eyes as he spoke. I wondered if he knew we were two 20-year-old kids from a 160-watt radio station that covered maybe a two-mile radius (half of which was a cornfield and a horse farm) on the eastern edge of Terre Haute, Indiana, but he treated us like we were from Rolling Stone. He gave us his sole attention as long as Michael had questions. Nick Bowcott was a class act.

Finally, I got to see one of my favorite bands, Heart, play in 2006 at the Morris Performing Arts Center, a fine old theater in South Bend. It had been something like 12 years since I’d seen them live, and I had won a contest to briefly meet Ann and Nancy Wilson backstage before the show, so I was stoked. The other contest winners and I waited near the stage entrance for our chance. They had all brought items for Ann and Nancy to sign and I wondered why I hadn’t thought to do that. The handler came out and said that our meeting would be very brief and that we could have them sign only one item each. A friendly woman with a bright smile asked me if I would mind having Ann and Nancy sign an item she brought, since she had brought two, and I said “Sure.” As the handler took us backstage, he explained that recently some fans had done upsetting and frightening things at these meet-and-greets, so we would do this in receiving-line style so we wouldn’t overwhelm Ann and Nancy, and we had to quietly wait our turn or we would be escorted out, period. I could see that this would be different from my Nick Bowcott experience. When Ann and Nancy came out, flanked by crew, they stayed shoulder to shoulder with each other and looked to make sure they were surrounded by people they knew. As we advanced in turn, they dutifully signed the items we brought but didn’t say anything. When my turn came, there was some confusion as the opening act came to meet Ann and Nancy too. I was standing in front of Ann, but she didn’t know whether to look at me or the opening act. I was confused, too, and before I was sure whose turn it really was I told her how much pleasure her music had brought me. She kept bobbing her head trying to figure out where to look. Shortly it registered what I had said, and she said with surprise in a throaty voice, “Thank you. Thank you very much.” She signed what I had in my hands and looked to the person in line behind me, so I took the hint and moved over in front of Nancy. She just took my item and began to sign it without looking up. I wasn’t sure what to say now, given that things had been so confused with Ann, so I just tried to catch her eyes. She finally noticed and looked at me. Her eyes were as blue as a spring sky, startling and lovely — but her pupils were the size of sharp pencil points. Those tiny dots fairly roared that there would be no friendly chitchat. I mumbled that it was a pleasure to meet her, and then stepped toward the handler and waited until everybody had their turn. After the handler took a photo of us all, we were escorted back to the lobby. Here’s a photo of my head next to Ann and Nancy’s heads from the group photo. The forehead between us belongs to the woman with the bright smile.

Me, Ann Wilson, and Nancy Wilson

Why didn’t I think to get a photo with Nick Bowcott?

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7 thoughts on “Best of DTR: Brushes with greatness

  1. Loneprimate says:

    I love these stories. :) I was a big fan of The Odd Couple when I was a kid, too. Love some of the 80s songs by Heart — sorry to hear they’re kind of shell-shocked these days… that must have been awkward for you. That story about Nick Bowcott was really encouraging, though. The kind of thing I bet he’d love for people to remember about him.

    Like

  2. Loneprimate says:

    Whoops, P.S., I wanted to say I think you’ve got a real flair with telling an anecdote… the “tiny dots fairly roared” bit… enviable prose. :)

    Like

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