Cameras, Photography

Time to send my Pentax ME out for CLA

My much-loved Pentax ME has developed a light leak. Much sadness.

Cincinnati Zoo

Bodies go for so cheap on eBay that I considered for a minute just buying another one. But I’m on my third body already — all three wound up with some minor problem. (Should that be telling me something?) Rather than try the camera lottery again, I’m just going to send this one to Eric Hendrickson for CLA (clean, lube, and adjustment) and new seals.

Cincinnati Zoo

I first saw the leak earlier this year when I had some black-and-white film in it. I immediately went into denial. The roll I shot at the zoo came back from the processor’s with so many affected images that I couldn’t avoid reality any longer.

Flag

This also solves a mystery. You might remember a couple shots I shared several weeks ago where I couldn’t remember which camera I used to shoot them. Well, the light leak in the corner of this shot from that roll tells the story. And I had to be shooting my 80-200mm f/4.5 SMC Pentax-M Zoom lens on it to get shots like this one.

Eastern Star

While my ME is out of commission, I’ll just have to fall back on my delightful and pristine Pentax KM when I want to shoot from my collection of Pentax lenses. Life is good.

Advertisements
Standard

Scenes from the American Sign Museum

Neonpallooza
Pentax ME
50mm f/1.4 SMC Pentax-M
Fujifilm Superia X-tra 400

The neon was out in force at the American Sign Museum!

Photography, Road trips

single frame: Neonpallooza

.

Image
Photography

Shooting the 80-200mm f/4.5 SMC Pentax-M Zoom lens

Owning Pentax film gear appeals deeply to my inner tightwad. Bodies and lenses usually go for less, and often for far less, than their Canon and Nikon equivalents. And the lenses are (usually) so good. As a result, I own more Pentax gear than any other kind.

So I reach for my Pentax gear most often when I have a specific shooting need, such as low light or distance or macro. So it was in Cincinnati recently. I took my 50mm f/1.4 SMC Pentax-M lens for the available light of the American Sign Museum, and my 80-200mm f/4.5 SMC Pentax-M Zoom lens for the Cincinnati Zoo.

80-200mm f/4.5 SMC Pentax-M Zoom

The tl;dr, especially for those of you poised to pooh-pooh this lens for not being a prime, is that it’s a pretty good performer. Would primes along this zoom’s range perform better? I’m sure they would. But in each shot it took me only a second to push or pull the zoom ring to the right focal length. Try that with a bag full of primes.

Cincinnati Zoo

At 5 3/4 inches from mount to tip, and a half-inch or so longer when focused to infinity, this is a lot of lens to mount to a body as compact as my Pentax ME. It’s not terribly heavy at about 20 ounces, but it made the camera front-heavy just the same. It’s solidly built of all metal (with a rubber zoom grip). The zoom ring has great heft as you push and pull it. It feels like quality. My only beef with the lens’s build quality is that the aperture ring feels thin and tinny inside as you twist it through the crisp detents.

This lens is adequately sharp. The forums say it’s a little soft wide open, but I never saw any of that. What I do know is that all the images on this roll of Fujicolor 200 ran uncharacteristically cold, and I had to warm them up in Photoshop. And a couple of my images show a wisp of purple fringing.

Cincinnati Zoo

It was a chilly but bright early-spring afternoon and many of the animals were not out. Those that were just wanted to lounge quietly in the sun.

Cincinnati Zoo

It made for easy, if not terribly interesting, photography: zoom in, frame, and click. Little animal motion to contend with.

Cincinnati Zoo

You might remember this photo from a few weeks ago, and that I couldn’t remember which camera and lens I used to shoot it. I’ve figured it out: the Pentax ME and this zoom.

Kitchen window

Yep, this zoom delivered this lovely swirly bokeh. (On expired Kodak Gold 400, no less.)

Victoria at Northgate

So this lens is a keeper. I’ll probably use it once every blue moon, but when I need it I’ll be very glad I still have it.

Standard

Scenes from the American Sign Museum

Glass-letter signs
Pentax ME
50mm f/1.4 SMC Pentax-M
Fujifilm Superia X-tra 400

I took the Pentax ME along on my Cincinnati spring break trip with Garrett. I have always wanted to shoot serious neon on film, and the American Sign Museum surely gave me a great opportunity.

But of course these signs aren’t neon. The letters are all backlit glass. Such signs preceded the neon era.

Photography, Road trips

single frame: Glass-letter signs

.

Image
Blogosphere, Photography

Hard lessons learned writing for PetaPixel

Last week I posted my updated list of film-photography blogs I follow. Stephen Dowling, the force behind Zorki Photoshared a link to it on Reddit. Thanks Stephen! From there, DPReview.com linked to my post, too. Boom! My stats spiked instantly.

StatSpike

Guess which day my post appeared on Reddit

PetaPixel noticed it too, and asked if they could republish it. An honor, right? Lots of people would see my work on that well-visited site, right?

I didn’t say yes right away. On the one hand, I wanted my list of blogs to be seen far and wide, and I knew PetaPixel had giant reach. On the other, I wanted my blog to get all the visits, not somebody else’s site. Also, if PetaPixel ran my post just as I wrote it here, Google’s search algorithms would take a dim view and downrank my post in searches.

But I hoped perhaps for some new readers who clicked through from PetaPixel, so I said yes. But I rewrote the post first.

PPByline

Get out your magnifying glass to find my name

When it went live, my poor little byline was in such tiny type I doubt anybody noticed it. There were two links back to my blog, but my stats say that only four people clicked them. And while the post got a lot of shares, the ones I saw invariably went something like this: “Hey, check out PetaPixel’s list of film photography blogs!” Or: “My blog made PetaPixel’s list!” Argh! It never occurred to me that people would attribute the list to PetaPixel and not to me.

Here’s something else I didn’t see coming. My original 2014 post of film-photography blogs had long been at or near the top of Google’s results for searches like “film photography blog.” That drives a steady stream of traffic to this blog. But within two days, the PetaPixel post outranked it. Arrrrrrrgh!

Downranked

Cue the sad-trombone sound effect

I love experimenting. I’m always excited to see what happens when I try something. Well, I certainly got a faceful of “what happens” from trying this.

I’m not sure I’d start this blog today if I had it to do over. Rather, I’d seek to contribute to an established site that already has good traffic, and build my name that way. As an individual blogger who works at something else for a living, I can’t devote the time and effort it takes to build an audience as large as PetaPixel’s.

But here I am, ten years into this blog, having built a respectable audience as an individual blogger. I’m not going back now.

And so, here are my lessons learned.

  • If you want to republish my content, the answer is no.
  • However, let’s talk about something different and original I could write for you.
  • If your site is owned by a profit-making company, I expect to be paid for my work.

There is an upside to this experience: several of the blog owners from my list told me that PetaPixel sent them a ton of traffic. That’s why I wrote the list in the first place: so more people could find those blogs!

Standard
Blogosphere

Recommended reading

Happy Saturday, Roadies, and welcome to the weekly blog roundup. A new feature awaits at the end, so do read through!

I’ve gotten good at processing my own emotions — except for anger. I think I’d rather be devoured by bears. But Jess Cotton, writing for The Book of Life, says we all have emotions we struggle to process. Read Unprocessed Emotion

Mike Connealy has been busy making photographs with an old plate camera on 120 rollfilm. The tones he’s getting are just stunning. Have a look. Read More Plate Camera Work

It was in a Moroccan bath house that Abbie came to accept and enjoy her own skin and realize she’s perfect just as she’s made. She also tells you everything you need to bring to enjoy one of these bath houses yourself, should you ever find yourself in Morocco. Read On Moroccan Bathhouses and Loving Myself

Aaron Renn reflects on the experience of growing up in a small town today, and how the tight social order so often found in them stifles people who want something more than their little town offers them. Read “What Makes You Think You’re Better Than Anyone Else?”

I don’t think I believe in destiny. I think most of us who are fortunate are on a journey of discovery, and we discover that some things we find to do fit us very well. I think Johanna Rothman thinks so too, but she calls those good-fit things destiny. Read What’s Your Destiny?

Something new I’m starting this week: links to all the camera reviews I found published in the last week. Because I love camera reviews.

Standard