Minolta XG 1
I got to use my Minolta X-700 just once before the winder locked hard. It’s a common fault among X-700s, caused by two failed capacitors within. I neither wanted to try to fix it myself nor pay someone else to do it, as I figured I could buy a used body on eBay for less hassle and expense. Then my friend Alice said, “Heck, I have an X-700 here doing nothing; you can just have it.” But it, too, suffered from the dreaded locked winder.
Meanwhile, my all-mechanical Pentax SLRs just keep on shooting. Sigh.
But I have several lenses for my two X-700s I want to use, so I went looking for a more reliable body for them. I soon found this Minolta XG 1.
When Minolta introduced its XG series of SLRs in 1977, it slotted between the near-pro XD series and the old-style, all-mechanical SR-T series. (See my SR-T 101 here.) Electronics were creeping into SLRs, and the XG series reflected that trend. (Here’s hoping it’s hardier than the X-700.) Despite the 1 in its name, the XG 1 wasn’t the first of the XG-series cameras; it was introduced in 1979. In 1982, the camera’s name gained a hyphen (XG-1) and the new “rising sun” Minolta logo.
The XG 1 is meant to be used in aperture-priority mode. Just set the shutter speed dial to A, choose an aperture, and let the XG 1 do the rest. In aperture-priority mode, the cloth shutter is stepless from 1/1000 to 1 sec. A shutter-speed scale appears inside the viewfinder. When you touch the shutter button, red LEDs light next to the shutter speed the camera chooses. When two consecutive lights glow, the shutter speed is somewhere between the two values. You can use the XG 1 in manual-exposure mode, too, but the camera offers no indicators that let you find the right exposure. If you want to use the light meter, you’ve got to be in aperture-priority mode. By 1979, silicon-cell meters were the hot new thing, but the XG series stuck with center-weighted CdS-cell meters. At least the XG 1 took films in a wide range of speeds, from 25 to 1600 ASA.
So I dropped some Fujicolor 200 into it, along with two LR44 button cells (without which the camera won’t function) and off I went to the Indianapolis Museum of Art. The grounds contain extensive and well-maintained gardens. I have no idea what this plant is, but I sure enjoyed all of its purple.
I read up on the 45mm f/2 MD Rokkor-X lens that came with my XG 1, and some pan its bokeh as more crisp than creamy. I see where they’re coming from, but the effect is hardly unacceptable. The background of this shot reminds me of an impressionist painting.
I wanted to see how the XG 1 handled a subject in motion, so I opened the aperture wide to get a fast shutter speed. As the fellow passed me by, he apologized for getting into my shot! I hollered back at him that I meant for him to be in it.
Statues dot the grounds; this is a detail of my favorite one.
I love phlox! I should plant some in a sunny spot in my yard.
This is accurate: it was eight o’clock in the evening.
The museum grounds were once the country estate of Eli Lilly, who founded pharmaceutical giant Eli Lilly and Company here in Indianapolis. His home, Oldfields, still stands on the site. I took this shot in a portico at the back of the enormous house. You’ll find a couple other photos of the house in my Minolta XG-1 gallery.
I blew through the entire 24-exposure roll in an hour while wandering the grounds. The XG 1 handled easily; very quickly it became an extension of my eyes and hands. You really can’t ask for more from any camera.
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