A Kodak Brownie Hawkeye and expired film on the Mother Road
You’d better believe I took one of my old cameras along on my family’s Route 66 trip. Kodak’s 1950s Brownie Hawkeye undoubtedly shot millions of vacations in the middle of the last century, and it is relatively compact and dead simple to use. It seemed like the perfect companion for my family’s Route 66 vacation.
The previous owner of my Brownie Hawkeye thought it was a good vacation camera, too. This camera’s last use was to shoot a Niagara Falls vacation in the late 1960s – see those photos here.
But last year I bought a flatbed film scanner and scanned some negatives from a roll of Kodak Verichrome Pan I shot in 1976, when I was a lad of 10. See those photos here. Verichrome Pan was arguably the number one amateur black-and-white film in the United States from its introduction in 1956 to its discontinuation about four decades later. I itched to shoot one more roll, so I bought one on eBay. It expired in September, 1985.
This was strictly an exercise in nostalgia. There’s a happy contingent of film photographers who like expired film’s unpredictable results. I am not among them. Expired Verichrome Pan has a good reputation for returning usable images, and the roll I bought was advertised as having been stored cold, which should have preserved it. I was disappointed that this roll returned faint, noisy images. I monkeyed around with the scans in Photoshop to darken them up and bring out some contrast.
This is the 1932 Standard service station in Odell, Illinois. See more photos of it here.
Here’s a shot from the Wagon Wheel Motel in Cuba, Missouri; see more photos here.
These dilapidated log cabins are part of John’s Modern Cabins, an abandoned motel of sorts on an abandoned stretch of the Mother Road west of Doolittle, Missouri. I’ll write more about these cabins in an upcoming post.
Not long ago, the Film Photography Project found a cache of 620 Kodak Gold 200 film in England, expired since June of 1996 but stored cold ever since. They offered it for sale; some is still available as I publish this post. Click here to buy some – but brace for impact, as it is not cheap. I bought two rolls and put one into my Brownie Hawkeye. Now, the Hawkeye was built for the slow films of the 1950s. Verichrome Pan, at ISO 125, was a pretty fast film at the time. So I figured that I’d get a whole roll of overexposed shots from this ISO 200 color film, and I was right. Fortunately, I know a couple Photoshop tricks that brought out color and detail in the washed-out images.
This photo is of the great sign of the Rest Haven Court on the Mother Road in Springfield, Missouri. I really like the color in this shot.
Some thick clouds had rolled in when we reached Carthage, Missouri. They created quite a mood for this photograph.
This is Pops, which is out in the middle of nowhere east of Oklahoma City. (There’s a whole lot of middle of nowhere on Route 66 in Oklahoma.) I’ll write more about Pops in an upcoming post. Meanwhile, dig the 66-foot-tall pop-bottle sculpture.
Finally, when my sons and I stopped for the night at the Munger Moss Motel in Lebanon, Missouri, I took this dusk shot of the lit sign. I thought perhaps I’d get a usable low-light image because of the film’s relatively high speed. I cropped this shot to this size because the processor frustratingly put a sticker on this frame. (Yes, this sign is a brother of the Rest Haven Court sign; both were made by the same company.)
The Brownie Hawkeye is super easy to use. You hold it at bellybutton level and peer down into the viewfinder; when you like the framing, you gently press down the shutter button. I did lose three frames on the roll of Verichrome Pan when the latch gave way and the camera opened. And then I dropped the Brownie Hawkeye while photographing the Blue Whale of Catoosa; fortunately, this only scuffed the aluminum and chipped a tiny bit of the body. Even if the fall had irreparably damaged the Brownie Hawkeye, they remain plentiful and inexpensive.
I have one more roll of the expired Kodak Gold 200 left. I’d like to see how this film can really perform, so I plan to shoot it in a 620 camera that lets me adjust exposure and packs a fine lens, such as my Kodak Monitor Six-20.